I'm gonna come here, I'm gonna change in my window here, from that little eyedropper tool down to color chart. If I do this inside of the color module, what I'm gonna get a chance to do is place something here that gives me the ability to pull the profile from this target and apply it to this image. I'm gonna scrub through until I see Ivan right there. So I'm gonna go ahead and drag this clip that I've got here of Ivan holding a target. CREATIVE COLOR TRANSITIONS DAVINCI RESOLVE HOW TOLet me just show you how to do this real quickly. Sorry, I keep clicking the wrong project. So let me just get to my little thing here. DaVinci allows us to lift the color profile that we apply to one image, and then apply it to another. That's a terminology that a lot of us get hung up on when we talk about DaVinci. We're not talking about putting still pictures on a timeline we're talking about grabbing a still frame from the video file and lifting the color profile from it. And we're not talking, like, stills from, stills from a camera. What I got myself to, guys, is I got myself, and I created a quick little reference sequence that allows me to grab what I call stills. And what I ended up getting to was I ended up getting to the point of, give me a minute, let me open up media. What I did was I created a second bin, where I put all of my calibration stuff into. So inside of our media, I've set up sequences. I'm gonna jump over into this other project. So I laid myself, I set myself up for a little bit of success here already. When you import, it's gonna drop you to here, the edit module. I can explain Premiere a lot more easily. But I use Premiere because I know Premiere, and I can teach Premiere. But you could have, I could have edited in DaVinci Resolve if I'd known it, if I didn't own Premiere. I edit in Premiere because I know it really well. I choose not to do it because I don't know it well enough. So I've got all my media here, I've got the tracks here, hey, it's actually an editing software, so if you don't own Premiere you could potentially just edit in DaVinci. What's gonna happen here? Boom, there's the edit. Nine times out of ten you won't be touching it. It's gonna give you a window, it's gonna give you all the stuff. Now when you click that it's gonna bring up a dialog box and hey, there it is, clean XML, that's what I want. It tells you here, hey, I can import an XML. What did we export from Premiere? We exported an XML. Open DaVinci Resolve, create a project, open that project, that's step one. So how do we get this in? We're in a completely new software, I know you're thinking, oh great, I gotta learn something else, I have to learn another piece of software, so I'm just gonna give you steps. When you import, typically we're gonna live in these two places, color and delivery. So the way that DaVinci Resolve's laid out, there's a media section, there's an edit section, there's a color section, there's a delivery section. We're gonna call it, I'm gonna call it, Ivan Gym import from Premiere. So what you're gonna do is you're gonna go to New Project. Presumably we won't have anything in here. You're gonna get this, it's your Project Manager window. But what I'm gonna do here is when you open, let me close out DaVinci real quick, when you open up DaVinci Resolve, it's gonna open up, it's gonna give you this nice little graphic. You can see here I set myself up so I can breeze through, breeze through this a little bit. You gotta keep it simple, okay? So here we are. XML is very, very unreli.Īble past a certain point. The downside of this is sometimes there's translation errors meaning the more stuff you do to the edit that isn't just cutting, the more likelihood that effect or that thing you do will not translate. We can work on the same project in three different editors so long as we're pushing out XMLs to each other. So let's pretend you edit in Final Cut Pro, you edit in DaVinci, and I edit in Premiere, and we're all working on the same project. Essentially it's a translation device between two different editing tools. CREATIVE COLOR TRANSITIONS DAVINCI RESOLVE SOFTWARESo XML is just a set of instructions that another editing software can pick up to understand, okay, here's where things are, gotcha. CREATIVE COLOR TRANSITIONS DAVINCI RESOLVE MOVIEIt's not actually exporting any of the files, the movie files themselves, it's just kind of tags pointing to where they are in that project directory? Now, DaVinci Resolve is slightly different.
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